Maris 15, 2014
A cikin 1877, Edison ya rubuta 'Mary had a Little Lamb' a cikin dakin bincikensa na Menlo Park - karo na farko da 'yan adam suka kama sauti. Wannan na'ura ta yi amfani da silinda tinfoil, kuma ramukan da aka yanke a cikinta ba su da zurfi sosai sake kunnawa ya yi kama da kiɗa. Amma ingancin ba shine ma'anar ba: a karon farko, zaku iya jin murya ba tare da mutumin yana cikin ɗakin ba.
1877 shine shekarar da sauti ya zama abu na zahiri. Hotunan tinfoil phonograph na Edison ya kasance sha'awar dakin gwaje-gwaje - sake kunnawa an rufe shi, silinda ya ƙare bayan ƴan wasan kwaikwayo, kuma an iyakance rikodin ga ƴan daƙiƙa. Amma ƙa'idar ta kasance juyin juya hali: ana iya adana sauti da sake kunnawa ba tare da asalin asalin ba.
Shekaru arba'in masu zuwa sun sami ci gaba cikin sauri. Berliner ya maye gurbin Silinda tare da diski a 1887 - an haifi rikodin. Kowane ƙarni na gaba na harsashi, tonearm, da injin tuƙi an gina su akan wannan tushe. A cikin 1920s, gramophone ya samo asali daga sabon salon lab zuwa kayan daki na matsakaici.
Abin da gramophone ya canza da gaske ba fasaha kawai ba ne. Kafin isowarsa, kiɗa yana raye-raye, raye-raye, da harbi ɗaya - kun je gidan wasan kwaikwayo, kuma lokacin da ya ƙare, ya ɓace. Gramophone ya yi kiɗan wani abu da za ku iya mallaka, maimaita, da ɗauka a cikin nahiyoyi. Wani rikodin daga New York zai iya tafiya zuwa Shanghai kuma ya buga waƙa iri ɗaya a cikin yanki da ɗaki daban-daban.
Wannan 'sautin wayar hannu' ya haifar da sabbin nau'ikan al'adu gabaɗaya. Jazz ya bazu daga sandunan New Orleans zuwa duk duniya ta hanyar rikodin. Kiɗa na gargajiya ba a keɓance shi a zauren shagali ba - duk wanda ke da gramophone zai iya 'mallaka' cikakkiyar ƙungiyar makaɗa. Dukkanin tsarin kasuwanci na masana'antar kiɗa - rikodin, rarrabawa, haƙƙin mallaka - an gina su a kusa da gramophone.
A cikin 1980s, kaset da CD sun mamaye tare da mafi dacewa tsari. Tallace-tallacen Vinyl ta ruguje, kuma gramophone ɗin ya tafi daga abu na yau da kullun zuwa alamar nostalgic. Amma labarin bai kare ba. A cikin shekaru goma da suka gabata, tallace-tallacen rikodin vinyl ya karu a adadin lambobi biyu a kowace shekara - ba daga cikin nostalgia ba, amma a matsayin komawa zuwa wani ƙwarewar sauraro.
Bayan saukakawa mara iyaka na kiɗan dijital ya ta'allaka ne da daidaita sauti. Algorithms na matsawa suna cin dalla-dalla, sake kunnawa bazuwar yana narkar da kundi a matsayin bayanin fasaha ɗaya. Mutane da yawa suna sake gano vinyl ba saboda yana da 'fiye da fasaha' amma saboda yana tilasta ka ka rage gudu: ka sanya rikodin a kan farantin, zauna, kuma sauraron gaba ɗaya. Tsawon waɗannan mintuna talatin, ba za ku tsallake waƙoƙi ko gungura ta cikin wayarku ba.
A yau, an sake haifar da gramophone a matsayin abin ƙira, ba tsoho ba. Layin gramophone na gargajiya na FangService yana haɗa vinyl turntable, CD player, USB, FM rediyo, da lasifikar Bluetooth zuwa naúra ɗaya - duka yanki ne na ado da tsarin sauti na gaske. Babban samfura sun ƙunshi sautunan turbine mai sauri guda biyu (33/45 ko 33/48), injinan CD na anti-jitter Sanyo, da ingantaccen amplifier dijital na tashoshi 2.1 na Jafananci, yana tabbatar da ingantaccen sa ido da fitarwa mai inganci.
Ko kuna cin karo da vinyl a karon farko ko kun mallaki bayanai da yawa, akwai gramophone a nan don ɗakin ku.
The gramophone's impact extended far beyond the parlor. In early 20th century China, it was a fashionable object in Shanghai alleyways — vendors carrying records door to door, playing everything from Zhou Xuan's 'Night Shanghai' to Peking opera masters. It brought theatrical music that had previously existed only in theaters into the daily lives of ordinary people. Three households in one alley might share a single gramophone, but all three would hear the same melody — the gramophone created a shared cultural experience.
During the war years, the gramophone became a propaganda tool. Yan'an radio stations recorded leaders' speeches onto records and distributed them to rear areas and occupied territories. A record could be played a hundred times without losing fidelity — an advantage no other medium of the era could match. In an age without the internet, a record was a form of information carrier that could cross blockade lines.
Looking back, the gramophone was never just a playback device. It was a node where technology and society met: every new technology must find its social role before it is truly adopted. The gramophone found its role — entertainment, cultural carrier, political medium. FangService's gramophone line inherits this tradition: not replicating history, but letting classic sounds continue in modern form. Nine models, multiple colors, transparent pricing — you do not need antique authentication skills to buy a gramophone with guaranteed quality. View the Classical Gramophone Collection
Faɗa mana yanayin aikin ku da buƙatun ku, kuma za mu dace da mafita mai kyau kuma za mu ba da ƙima a cikin sa'o'i 24.
Samu Magana KyautaNine models covering the full size range from desktop mini (F08M Brass Horn 140×140×290mm) to floor-standing (C52 620×500×1900mm). Dual-speed turbine tonearm (33/45 or 33/48), Sanyo anti-jitter CD mechanism, genuine Japanese 2.1-channel digital amplifier, 5-in-1: vinyl turntable / CD / USB / FM radio / Bluetooth speaker. Multiple color options including walnut, English brown, ivory gilt, mahogany, and brown-gold. Factory price and suggested retail price are publicly listed.
Explore the Gramophone Collection →