Mati 15, 2014
I le 1877, na tusia ai e Edison le 'Mary Had a Little Lamb' i lana Menlo Park lab - o le taimi muamua lea na maua ai e tagata le leo. O lena masini na faaaoga ai se fagu iila, ma o ona tootoo na tipi i totonu sa matua papa'u lava ma e tau le pei o musika. Ae o le tulaga lelei e le'i taua lava: mo le taimi muamua, e mafai ona e faalogoina se leo e aunoa ma le tagata i totonu o le potu.
O le 1877 o le tausaga lea na avea ai le leo ma mea faitino. O le phonograph tinfoil a Edison o se su'esu'ega su'esu'e i falesuesu'e—o le toe ta'alo na mumu, ua masaesae le pa'u ina ua mae'a ni nai ta'aloga, ma fa'atapula'a le pu'eina i ni nai sekone. Ae o le mataupu faavae o se suiga: e mafai ona teuina le leo ma toe taʻalo e aunoa ma le uluai puna o iai.
O le fasefulu tausaga na sosoo ai na vaaia ai le televave o le atinaʻe. Na suia e Berliner le pa'u ma le tisiketi i le 1887 - na fanau mai le faamaumauga. O augatupulaga uma mulimuli ane o kalama, tonearm, ma le afi taʻavale na fausia i luga o lena faavae. E oʻo atu i le 1920s, o le gramophone na tupu mai i le fale suʻesuʻe fou i le vaeluaga o meafale potu malolo.
O le mea na suia moni e le gramophone e le na'o tekinolosi. A'o le'i taunu'u mai, sa ola musika, epemeral, ma tasi le ata - na e alu i le fale fa'afiafia, ma ina ua uma, ua leai. O le kalama na faia musika i se mea e mafai ona e umia, toe fai, ma ave i konetineta. O se faamaumauga mai Niu Ioka e mafai ona malaga atu i Shanghai ma taina le fati lava e tasi i se taimi ma potu e matua ese lava.
O lenei 'leo fe'avea'i' na fa'atupuina fa'aleaganu'u fou. Na salalau le jazz mai New Orleans pa i le lalolagi atoa e ala i faamaumauga. O musika masani ua le toe fa'atapula'aina i fale fa'afiafia - so'o se tasi e iai lana kalama e mafai ona 'ana' se fa'aili atoa. Le faʻataʻitaʻiga pisinisi atoa o le alamanuia musika - puʻeina, tufatufaina, puletaofia - na fausia i luga o le kalama.
I le vaitau o le 1980, na ave ai le kaseti ma le CD i faʻasologa sili atu ona faigofie. Na pa'u le Vinyl fa'atau, ma o le kalama na alu mai i aso uma i se fa'ailoga fa'anoanoa. Ae e le'i uma le tala. I le sefulu tausaga ua tuanaʻi, ua faʻatupulaia le faʻatauga o le vinyl record i numera lua-numera i tausaga taʻitasi - e le o le le mautonu, ae o se toe foʻi i se faʻalogo faʻapitoa.
I tua atu o le faigofie e le gata o musika numera o loʻo taoto ai le faʻamafola o le leo. Compression algorithms 'ai fa'amatalaga, fa'ata'ita'i fa'afuase'i fa'amavae le album o se fa'amatalaga tu'ufa'atasi tu'ufa'atasi. O le tele o tagata ua toe maua le vinyl e le ona e 'sili atu i luga o le tekinolosi' ae ona e faʻamalosia oe e faʻagesegese: e te tuʻuina le faʻamaumauga i luga o le ipu, nofo i lalo, ma faʻalogo i le itu atoa. Mo na minute e tolusefulu, e te le misia ala pe ta'ai i lau telefoni.
I aso nei, o le gramophone ua toe fanauina o se mea mamanu, ae le o se mea tuai. O le laina kalama masani a le FangService e tu'ufa'atasia ai le vinyl turntable, CD player, USB, FM radio, ma le Bluetooth speaker i totonu o le iunite e tasi - o se mea teuteu ma se masini fa'alogo moni. O faʻataʻitaʻiga autu e faʻaalia ai le lua-saoasaoa turbine tonearms (33/45 poʻo 33/48), Sanyo anti-jitter CD masini, ma moni Iapani 2.1-auala faʻainitaneti amplifier, faʻamautinoa le mautu o le siakiina ma le faʻamaoni maualuga.
Pe o e feiloai i le vinyl mo le taimi muamua pe ua uma ona e mauaina le tele o faamaumauga, o loʻo i ai se gramophone iinei mo lou potu malolo.
The gramophone's impact extended far beyond the parlor. In early 20th century China, it was a fashionable object in Shanghai alleyways — vendors carrying records door to door, playing everything from Zhou Xuan's 'Night Shanghai' to Peking opera masters. It brought theatrical music that had previously existed only in theaters into the daily lives of ordinary people. Three households in one alley might share a single gramophone, but all three would hear the same melody — the gramophone created a shared cultural experience.
During the war years, the gramophone became a propaganda tool. Yan'an radio stations recorded leaders' speeches onto records and distributed them to rear areas and occupied territories. A record could be played a hundred times without losing fidelity — an advantage no other medium of the era could match. In an age without the internet, a record was a form of information carrier that could cross blockade lines.
Looking back, the gramophone was never just a playback device. It was a node where technology and society met: every new technology must find its social role before it is truly adopted. The gramophone found its role — entertainment, cultural carrier, political medium. FangService's gramophone line inherits this tradition: not replicating history, but letting classic sounds continue in modern form. Nine models, multiple colors, transparent pricing — you do not need antique authentication skills to buy a gramophone with guaranteed quality. View the Classical Gramophone Collection
Ta'u mai ia i matou lau fa'ata'ita'iga ma mea e mana'omia, ma o le a matou fa'afetaui le tali sa'o ma tu'uina atu se fa'amatalaga i totonu ole 24 itula.
Maua se Fa'amatalaga Sa'olotoNine models covering the full size range from desktop mini (F08M Brass Horn 140×140×290mm) to floor-standing (C52 620×500×1900mm). Dual-speed turbine tonearm (33/45 or 33/48), Sanyo anti-jitter CD mechanism, genuine Japanese 2.1-channel digital amplifier, 5-in-1: vinyl turntable / CD / USB / FM radio / Bluetooth speaker. Multiple color options including walnut, English brown, ivory gilt, mahogany, and brown-gold. Factory price and suggested retail price are publicly listed.
Explore the Gramophone Collection →