Xwèjísun 2014 tɔn
Ðò xwè 1877 mɛ ɔ, Edison wlan ‘Mary Had a Little Lamb’ ɖò laboratoire tɔn e ɖò Menlo Park é mɛ — azɔn nukɔntɔn e gbɛtɔ́ lɛ wlí gbè é. Macinu enɛ nɔ zán cylindre e è sɔ́ kɔ́fu dó bló é ɖé, bɔ hǔn e è xò dó mɛ lɛ é nɔ gɔ́ngɔ́n sɔmɔ̌ bɔ nǔ e è nɔ xò é nɔ cí hanjiji ɖɔhun ǎ. Amɔ̌, jijɔ ɔ wɛ nyí nǔ taji ɔ gbeɖé ǎ: azɔn nukɔntɔn ɔ wɛ a sixu sè gbè ɖé bɔ mɛ ɔ ma ɖò xɔ ɔ mɛ ǎ.
Xwè 1877 wɛ nyí xwè e mɛ gbè huzu nǔ agbaza tɔn ɖé é. Edison sín glamafín e è sɔ́ kɔ́fu dó bló é nyí nǔ e è nɔ ba na tuùn ɖò laboratoire é ɖé — è nɔ xò nǔ kpɔ́n, bɔ cylindre lɛ nɔ xú ɖò nǔxixo klewun ɖé gudo, bɔ nǔ e è wlan lɛ é nɔ nɔ ceju klewun ɖé mɛ. Amɔ̌, nugbodòdó ɔ huzu nǔ: è sixu hɛn gbè lɛ bo lɛ́ vɔ́ xò, enyi fí e è gosin é ma ɖò finɛ ǎ ɔ nɛ.
Xwè kanɖé e bɔ d’ewu lɛ é mɛ ɔ, nǔ lɛ yì nukɔn bléblé. Berliner ɖyɔ cylindre ɔ kpo disque ɔ kpo ɖò 1887 — è jì ɖiɖe ɔ. È sɔ́ mɔ̌to e nɔ hɛn nǔ gblé dó mɛ wu é, mɔ̌to e nɔ hɛn nǔ gblé dó mɛ wu é kpo mɔ̌to e nɔ dɔn nǔ é kpo sín jijimɛ e bɔ d’ewu lɛ é bǐ ɖó dòdó enɛ jí. Ðò xwè 1920 lɛ mɛ ɔ, grammophone ɔ ko huzu sín nǔ yɔyɔ̌ e è nɔ zán ɖò laboratoire mɛ é jí bo huzu nǔ e è nɔ zán ɖò xɔ e mɛ è nɔ nɔ é mɛ é ɖé.
Nǔ e gramfonu ɔ huzu tawun é nyí nǔnywɛ xwitixwiti sín nǔ lɛ kɛɖɛ ǎ. Cobonu é na wá ɔ, hanjiji nɔ ɖò gbɛ̀, bo nɔ nɔ ayǐ nú táan klewun ɖé, bo nɔ lɛ́ nyí nǔ ɖokpo géé — a nɔ yì hanjijitɛn ɔ, bɔ hwenu e é fó é ɔ, é sɔ́ nɔ tíìn ǎ. Gramophone ɔ bló bɔ han lɛ huzu nǔ e a sixu ɖó, bo na vɔ́ ɖɔ, lobo na hɛn gbɔn tò lɛ bǐ mɛ é. Nǔxixo e è xò sín New York é ɖé sixu yì Shanghai bo xò han ɖokpo ɔ ɖò ganmɛ kpo xɔ e gbɔn vo bǐ mlɛ́mlɛ́ é kpo mɛ.
‘Gbè e nɔ sɛ̀ tɛn é’ enɛ jì aca yɔyɔ̌ lɛ bǐ mlɛ́mlɛ́. Jazz gbakpé sín New Orleans sín ahannumutɛn lɛ mɛ bo wá gbɛ̀ ɔ bǐ mɛ gbɔn ɖiɖe lɛ gblamɛ. Hanjiji hwexónu tɔn lɛ sɔ́ nɔ nɔ hanjiji sín xɔ lɛ mɛ kɛɖɛ ǎ — mɛɖebǔ e ɖó grammophone é sixu ‘ɖó’ hanjiji gbɛ̌ta ɖé b’ɛ gɔ́ngɔ́n. Nǔ e è nɔ wà ɖò ajɔ̌wiwa linu ɖò hanjiji sín azɔ̌xwé ɔ mɛ é bǐ — hanjiji, mɛjlaɖó, acɛ e è ɖó bo na wlan nǔ é — lɛlɛ̌ dó grammophone ɔ.
Ðò xwè 1980 lɛ mɛ ɔ, kasɛti kpo CD kpo wá yí tɛn tɔn mɛ, bɔ è nɔ zán alɔkpa e bɔkun hugǎn lɛ é. Vinyl e è nɔ sà é jɛ dò, bɔ gramophone ɔ sɔ́ nyí nǔ e è nɔ zán ayihɔngbe ayihɔngbe é ǎ, bo huzu wuntun nǔ e è nɔ flín lɛ é tɔn. Amɔ̌, tan ɔ fó ǎ. Ðò xwè wǒ e wá yì lɛ é mɛ ɔ, ɖiɖe e è nɔ sà ɖò vinyl jí lɛ é fɔ́n bo ɖò jijɛji wɛ ɖò xwè ɖokpo ɖokpo mɛ — é nyí ɖó linlin e è nɔ ɖó dó nǔ e jɛ wá yì lɛ é wu é wu ǎ, loɔ, ɖó è nɔ lɛkɔ wá nǔ e è ɖótó é ɖé jí wutu.
Gbè e è nɔ bló ɖò alokan jí bɔ é nɔ bɔkun ma ɖó dogbó é gudo ɔ, è nɔ bló bɔ gbè ɔ nɔ cí fɛ́ɖɛ́fɛ́ɖɛ́. Algorithmes de compression nɔ ɖu nǔ kpɛví kpɛví lɛ, bɔ xóɖiɖɔ ɖò jlɛ̌ jí nɔ hɛn albɔomu ɔ gblé ɖi xógbe ɖagbeɖagbe ɖé ɖɔhun. Mɛ gègě ɖò vinyl vɔ́ mɔ wɛ ɖó é ‘nyɔ́ hugǎn ɖò nǔnywɛ xwitixwiti linu’ wutu ǎ, loɔ, ɖó é nɔ hɛn we gannugánnú bɔ a nɔ xò nǔ kpɔ́n: a nɔ sɔ́ ɖiɖe ɔ ɖó gannu ɔ jí, bo nɔ jinjɔn ayi, lobo nɔ ɖótó akpáxwé ɖé bǐ. Ðò cɛju gban enɛ lɛ mɛ ɔ, a na xò han lɛ zlɛ alǒ kpɔ́n alokan towe jí ǎ.
Égbé ɔ, è vɔ́ gramophone ɔ jì bɔ é nyí nǔ e è bló é ɖé, é nyí nǔ xóxó ɖé ǎ. FangService sín grammophone classique sín linlin ɔ nɔ xò grammophone vinyl tɔn, CD-xòtɔ́, USB, radio FM, kpo xóɖɔtɔ́ Bluetooth kpo kplé dó nǔ ɖokpo mɛ — é nyí nǔ e è nɔ bló acɔ́ na é ɖé bo lɛ́ nyí nǔ e è nɔ zán dó sè nǔ é ɖé. É ɖò mɔ̌ có, è ɖó na hɛn nǔ e è nɔ ylɔ ɖɔ tonearms turbine deux vitesses é (33/45 alǒ 33/48), Sanyo anti-jitter CD mechanism, kpo amplificateur numérique 2,1-channel Japonnais nugbǒ nugbǒ kpo, bo na dó sixu xwedó nǔ lɛ ganji bo lɛ́ ɖè nǔ tɔ́n kpo gbejininɔ ɖaxó kpo.
A na bo ɖò vinyl mɔ wɛ azɔn nukɔntɔn ɔ alǒ a ko ɖó ɖiɖe gègě ɔ, grammophone ɖé ɖò fí nú salɔn towe.
The gramophone's impact extended far beyond the parlor. In early 20th century China, it was a fashionable object in Shanghai alleyways — vendors carrying records door to door, playing everything from Zhou Xuan's 'Night Shanghai' to Peking opera masters. It brought theatrical music that had previously existed only in theaters into the daily lives of ordinary people. Three households in one alley might share a single gramophone, but all three would hear the same melody — the gramophone created a shared cultural experience.
During the war years, the gramophone became a propaganda tool. Yan'an radio stations recorded leaders' speeches onto records and distributed them to rear areas and occupied territories. A record could be played a hundred times without losing fidelity — an advantage no other medium of the era could match. In an age without the internet, a record was a form of information carrier that could cross blockade lines.
Looking back, the gramophone was never just a playback device. It was a node where technology and society met: every new technology must find its social role before it is truly adopted. The gramophone found its role — entertainment, cultural carrier, political medium. FangService's gramophone line inherits this tradition: not replicating history, but letting classic sounds continue in modern form. Nine models, multiple colors, transparent pricing — you do not need antique authentication skills to buy a gramophone with guaranteed quality. View the Classical Gramophone Collection
Ðɔ nǔ e a na wà é kpo nǔ e a byɔ lɛ é kpo nú mǐ, bɔ mǐ na sɔgbe xá xósin e sɔgbe é bo na na akwɛ́ ɖé ɖò ganxixo 24 vlamɛ.
Mi mɔ Akwɛ Vɔ̌nuNine models covering the full size range from desktop mini (F08M Brass Horn 140×140×290mm) to floor-standing (C52 620×500×1900mm). Dual-speed turbine tonearm (33/45 or 33/48), Sanyo anti-jitter CD mechanism, genuine Japanese 2.1-channel digital amplifier, 5-in-1: vinyl turntable / CD / USB / FM radio / Bluetooth speaker. Multiple color options including walnut, English brown, ivory gilt, mahogany, and brown-gold. Factory price and suggested retail price are publicly listed.
Explore the Gramophone Collection →