22 ga Agusta, 2017
Harsashi shine mafi daidaitaccen sashi a cikin gramophone. Salon yana tafiya a cikin wani rami da bai wuce 0.2 mm faɗin ba, kuma siginar daidaitawa da ke cikin wannan tsagi - sigar sauti ta zahiri - tana da girma don haka ƙanƙanta yana buƙatar ƙarawa na lantarki kafin kunnuwan ɗan adam su gane shi.
Harsashi shine mafi daidaitaccen sashi a cikin gramophone. Salon yana tafiya a cikin wani rami da bai wuce 0.2 mm faɗin ba, kuma siginar daidaitawa da ke cikin wannan tsagi - sigar sauti ta zahiri - tana da girma don haka ƙanƙanta yana buƙatar ƙarawa na lantarki kafin kunnuwan ɗan adam su gane shi.
Harsashi na zamani suna amfani da ka'idodin lantarki: stylus vibration yana motsa ƙaramin maganadisu kusa da induction coils, yana samar da siginar lantarki mai rauni - sauti a cikin sigar wutar lantarki. Simitoci guda uku suna tantance ko kun ji sautin asali ko wata karkatacciyar inuwa: daidaiton jeri na harsashi, siffa mai salo, da ƙarfin bin diddigi.
Tonearm ɗin yana kama da lefa mai sauƙi, amma shine mafi ƙarancin ƙima a aikin injiniya a cikin gramophone. Ayyukansa shine kiyaye ƙarfi na ƙasa akai-akai akan saman rikodin - yayi haske sosai kuma stylus yayi tsalle, yayi nauyi kuma yana sa tsagi. Kyakkyawan tonearm mai tasiri dole ne ya daidaita a cikin duka jiragen sama a kwance da kuma a tsaye yayin da yake rage rashin ƙarfi na harsashi.
Layin gramophone na FangService yana amfani da sautunan turbine mai sauri biyu (33/45 ko 33/48 RPM), ma'ana guda ɗaya na iya kunna rikodin 12-mil da 7-mil. Motar injin turbine yana ba da saurin sauyawa mai sauƙi idan aka kwatanta da ƙirar bel ɗin gargajiya, wanda zai iya gabatar da canjin saurin gudu yayin canji.
Tsayayyen saurin platter yana ƙayyade ingancin sauti kai tsaye. Mafi ƙanƙantar saurin saurin gudu - da ake kira da sana'a 'wow and flutter' - yana haifar da canjin sauti mai iya fahimta a cikin sauti. Platters na al'ada na gramophone yawanci suna amfani da ƙira mai nauyi, suna ba da damar inertia don daidaita ƙananan motsin motsi. Girman girma yana nufin ƙarin tsayin daka, amma kuma tsayin juyi da lokutan juyewa.
Abokin gramophone na FangService yana amfani da farantin ƙarfe mai ƙarfi haɗe tare da madaidaiciyar bearings, yana kiyaye kuskuren sauri tsakanin kewayon kusan ba zai iya gane kunnuwan ɗan adam ba. Haɗe tare da ingantacciyar amplifier dijital ta Jafananci mai lamba 2.1, duk sarkar siginar daga harsashi zuwa lasifika an daidaita su a hankali.
Wayoyin al'ada na yau ba su zama injina zalla ba. Layin FangService yana haɗa tsarin CD na anti-jitter na Sanyo - Sanyo's CD servo sananne ne don danne kurakuran karantawa ta hanyar girgiza. Gidan rediyon FM da aka gina a ciki da lasifikar Bluetooth yana ba da damar raka'a ɗaya don rufe tushe huɗu: vinyl, CD, watsawa, da yawo.
Sashen amplifier na dijital yana amfani da ainihin ƙirar tashoshi 2.1 na Jafananci: manyan tashoshi biyu da subwoofer. Idan aka kwatanta da na'urori na A/B na gargajiya, na'urori na dijital na Class D suna ba da fa'idodi masu inganci - ƙarancin zafi yana nufin ƙaramin chassis, wanda gramophones na FangService cimma a cikin ƙaramin tsari.
Teasing apart the gramophone's mechanical architecture to its essence reveals an interesting fact: the basic principle of today's top-tier vinyl systems is not fundamentally different from the 1920s — stylus vibrating in the groove, driving a magnet near coils, producing an electrical signal, amplified to drive speakers.
What has changed is precision. A 1920s cartridge might have had 5% harmonic distortion; today's moving-magnet cartridges achieve below 0.02%. This is not evolution of principle, but evolution of manufacturing accuracy. From hand-ground stylus tips to laser-measured cartridge alignment, from gravity-driven mechanical motors to closed-loop DC motors — the history of the gramophone is, at its core, a history of continuously improving manufacturing precision.
FangService's gramophone line sits at the midpoint of this evolutionary path: Victorian-era classical aesthetics on the outside, 21st-century audio engineering on the inside. Dual-speed turbine tonearm, Sanyo anti-jitter CD mechanism, Japanese 2.1-channel digital amplifier — each component represents a different era's technological height, yet all integrated into one machine. This is not a simple 'retro plus modern'拼接, but a complete answer to the question: what makes a great gramophone? View the Classical Gramophone Collection
Faɗa mana yanayin aikin ku da buƙatun ku, kuma za mu dace da mafita mai kyau kuma za mu ba da ƙima a cikin sa'o'i 24.
Samu Magana KyautaNine models covering the full size range from desktop mini (F08M Brass Horn 140×140×290mm) to floor-standing (C52 620×500×1900mm). Dual-speed turbine tonearm (33/45 or 33/48), Sanyo anti-jitter CD mechanism, genuine Japanese 2.1-channel digital amplifier, 5-in-1: vinyl turntable / CD / USB / FM radio / Bluetooth speaker. Multiple color options including walnut, English brown, ivory gilt, mahogany, and brown-gold. Factory price and suggested retail price are publicly listed.
Explore the Gramophone Collection →