Aokuso 22, 2017
O le kalama o le vaega sili ona sa'o i totonu o le kalama. E ti'eti'e le stylus i se va'a e itiiti ifo i le 0.2 mm le lautele, ma o le fa'ailoga fa'aogaina o lo'o fa'apipi'iina i totonu o lena va'aiga - o le fa'aletino o le leo - e matua la'ititi lava lona fa'asili e mana'omia ai le fa'aeletonika fa'atele a'o le'i va'aia e taliga o tagata.
O le kalama o le vaega pito sili lea ona sa'o i le kalama. E ti'eti'e le stylus i se va'a e itiiti ifo i le 0.2 mm le lautele, ma o le fa'ailoga fa'aogaina o lo'o fa'apipi'iina i totonu o lena va'aiga - o le fa'aletino o le leo - e matua la'ititi lava lona fa'asili e mana'omia ai le fa'aeletonika fa'atele a'o le'i va'aia e taliga o tagata.
O kesi fa'aonaponei o lo'o fa'aogaina faiga fa'aeletise: o le vibration stylus e fa'aosoina ai se tama'i maneta i tafatafa o fa'aili fa'aulu, e maua ai se fa'ailo eletise vaivai - leo i lona foliga eletise. E tolu vaega e iloa ai pe e te fa'alogoina le leo muamua po'o se ata lafoia: sa'o o le fa'aogaina o kesi, foliga o le stylus, ma le malosi o le siaki.
O le tonearm e foliga mai o se leve faigofie, ae o le mea e sili ona manatu faatauvaa i le inisinia i le gramophone. O lana galuega o le fa'atumauina pea o le malosi i lalo i luga o le fa'amaumauga - mama tele ma fa'ase'e le peni, mamafa tele ma ofuina le tootoo. O se tonearm lelei e tatau ona faapaleni i va'a fa'ala'ala'au ma va'aiga tu'usa'o a'o fa'aitiitia le inertia kesi.
O le laina kalama a le FangService e fa'aogaina ai le lua-saosaoa turbine tonearms (33/45 po'o le 33/48 RPM), o lona uiga e tasi le masini e mafai ona taina uma le 12-mil ma le 7-mil fa'amaumauga. O le ta'avale turbine e mafai ai ona fa'alelei le saoasaoa o suiga pe a fa'atusatusa i mamanu masani e fa'aulu i le fusipa'u, lea e mafai ona fa'aalia ai suiga o le saoasaoa i le taimi o suiga.
O le mautu saosaoa o le ipu e iloa tonu ai le lelei o le leo. Ole suiga la'ititi ole saoasaoa - e ta'ua fa'apolofesa 'wow and flutter' - e maua ai se suiga manino i le leo. O ipu kalama masani e masani ona fa'aogaina mamanu mamafa, e fa'aogaina ai le inertia e fa'alelei ai suiga laiti o afi. O le tele o le mamafa o lona uiga e sili atu le saosaoa mautu, ae umi atu foi taimi vili-i luga ma taamilo-i lalo.
E fa'aogaina e le pa'aga kalama a le FangService le ipu u'amea malo tu'u fa'atasi ma fa'amau sa'o, fa'atumauina le saosaoa sese i totonu o se laina e toetoe lava a le iloa e taliga o tagata. Fa'apipi'i fa'atasi ma le fa'aliga faakomepiuta 2.1-channel moni Iapani, o le filifili fa'ailo atoa mai le kesi i le sipika e fetaui lelei.
O kalama masani i aso nei e le o toe fa'ainisinia. FangService's laina tu'ufa'atasia le Sanyo anti-jitter CD mechanism — Sanyo's CD servo ua lauiloa mo le taofiofia o mea sese faitau e mafua mai i le vibration. O le leitio FM ua fausia ma le failauga Bluetooth e mafai ai e le tasi iunite ona ufiufi punaoa e fa: vinyl, CD, faʻasalalauga, ma faʻafefe.
O le vaega fa'aola fa'afuainumera e fa'aogaina ai le mamanu moni a Iapani 2.1-ala: lua ala tetele fa'atasi ai ma le subwoofer. Pe a faatusatusa i le Vasega A/B amplifiers masani, Vasega D numera telefoni e ofoina atu tulaga lelei lelei - itiiti le vevela o lona uiga o se u'amea la'ititi, lea e ausia e FangService's gramophones i lo latou fa'atusatusa foliga.
Teasing apart the gramophone's mechanical architecture to its essence reveals an interesting fact: the basic principle of today's top-tier vinyl systems is not fundamentally different from the 1920s — stylus vibrating in the groove, driving a magnet near coils, producing an electrical signal, amplified to drive speakers.
What has changed is precision. A 1920s cartridge might have had 5% harmonic distortion; today's moving-magnet cartridges achieve below 0.02%. This is not evolution of principle, but evolution of manufacturing accuracy. From hand-ground stylus tips to laser-measured cartridge alignment, from gravity-driven mechanical motors to closed-loop DC motors — the history of the gramophone is, at its core, a history of continuously improving manufacturing precision.
FangService's gramophone line sits at the midpoint of this evolutionary path: Victorian-era classical aesthetics on the outside, 21st-century audio engineering on the inside. Dual-speed turbine tonearm, Sanyo anti-jitter CD mechanism, Japanese 2.1-channel digital amplifier — each component represents a different era's technological height, yet all integrated into one machine. This is not a simple 'retro plus modern'拼接, but a complete answer to the question: what makes a great gramophone? View the Classical Gramophone Collection
Ta'u mai ia i matou lau fa'ata'ita'iga ma mea e mana'omia, ma o le a matou fa'afetaui le tali sa'o ma tu'uina atu se fa'amatalaga i totonu ole 24 itula.
Maua se Fa'amatalaga Sa'olotoNine models covering the full size range from desktop mini (F08M Brass Horn 140×140×290mm) to floor-standing (C52 620×500×1900mm). Dual-speed turbine tonearm (33/45 or 33/48), Sanyo anti-jitter CD mechanism, genuine Japanese 2.1-channel digital amplifier, 5-in-1: vinyl turntable / CD / USB / FM radio / Bluetooth speaker. Multiple color options including walnut, English brown, ivory gilt, mahogany, and brown-gold. Factory price and suggested retail price are publicly listed.
Explore the Gramophone Collection →