Avivɔsun 2017
Nǔ e ɖò grammophone mɛ é wɛ nyí nǔ e nɔ sɔgbe hugǎn é. Nǔwlannú ɔ nɔ ɖi zɔnlin gbɔn xɔ e mɛ gblǒ tɔn ma yì 0,2 mm ǎ é ɖé mɛ, bɔ wuntun e è wlan dó xɔ enɛ mɛ é — ee nyí gbè ɔ sín alɔkpa agbaza tɔn é — ɖó hlɔnhlɔn kpɛví ɖé bɔ é nɔ byɔ ɖɔ è ni bló bɔ é na syɛn d’eji ɖò alokan jí cobɔ tó gbɛtɔ́ tɔn lɛ na mɔ nǔ jɛ wu.
Nǔ e ɖò grammophone mɛ é wɛ nyí nǔ e nɔ sɔgbe hugǎn é. Nǔwlannú ɔ nɔ ɖi zɔnlin gbɔn xɔ e mɛ gblǒ tɔn ma yì 0,2 mm ǎ é ɖé mɛ, bɔ wuntun e è wlan dó xɔ enɛ mɛ é — ee nyí gbè ɔ sín alɔkpa agbaza tɔn é — ɖó hlɔnhlɔn kpɛví ɖé bɔ é nɔ byɔ ɖɔ è ni bló bɔ é na syɛn d’eji ɖò alokan jí cobɔ tó gbɛtɔ́ tɔn lɛ na mɔ nǔ jɛ wu.
Kati égbé tɔn lɛ nɔ zán nǔgbododó lɛlɛktrɔmagnɛti tɔn lɛ: stylus sín xixo nɔ dɔn magneti kpɛví ɖé sɛkpɔ bobine induction tɔn lɛ, bo nɔ ɖè wuntun lɛ̌ɛnkanvɔ tɔn e ma ɖó hlɔnhlɔn sɔmɔ̌ ǎ é ɖé tɔ́n — gbè ɖò lɛ̌ɛnkanvɔ tɔn mɛ. Nǔ atɔn wɛ nɔ xlɛ́ ɖɔ a sè gbè nukɔntɔn ɔ alǒ ɖiɖe e è hɛn gblé é ɖé: lee è nɔ sɔ́ kati ɔ ɖó jlɛ̌ jí gbɔn é, lee wětín ɔ cí é, kpo hlɔnhlɔn e è nɔ zán dó xwedó nǔ ɔ é kpo.
Tonearm ɔ cí levier klewun ɖé ɖɔhun, amɔ̌, é wɛ nyí nǔnywɛ xwitixwiti sín azɔ̌ e è ma nɔ kpɔ́n dó mɔ nǔ e ma ɖò taji ǎ é hugǎn ɖò grammophone mɛ é. Azɔ̌ tɔn wɛ nyí ɖɔ é ni nɔ hɛn hlɔnhlɔn e nɔ yì dò é ɖó te hwebǐnu ɖò nǔwlanwlán ɔ jí — é nɔ fá dín bɔ wěgbójínɔtɔ́ ɔ nɔ xò zlɛ, é nɔ kpɛn dín bɔ é nɔ dó gǒjiblanú ɔ. Tonearm e nɔ w’azɔ̌ ganji é ɖé ɖó na nɔ jlɛ̌ jí ɖò jlɛjininɔ kpo jlɔjlɔ kpo mɛ, bo na lɛ́ ɖè hlɔnhlɔn e ɖò kɔ́ntu ɔ mɛ é kpò.
FangService sín grammophone sín linlin ɔ nɔ zán gbè e nɔ hɛn nǔ gblé dó mɛ wu é wè (33/45 alǒ 33/48 RPM), enɛ wɛ nyí ɖɔ macinu ɖokpo sixu xò nǔ e ɖó 12-mil kpo 7-mil kpo lɛ é bǐ. Nǔ e nɔ dɔn turbine ɔ é nɔ zɔ́n bɔ è nɔ ɖyɔ wezun ɔ ganji hú lee è nɔ zán gojiblánú gbɔn ɖ’ayǐ é, bɔ enɛ sixu zɔ́n bɔ wezun ɔ na nɔ ɖyɔɖyɔ ɖò huzuhuzu hwenu.
Nǔ e nɔ zɔ́n bɔ è nɔ sè wezun kínkán é wɛ nɔ zɔ́n bɔ gbè ɔ nɔ nyɔ́ sè tlɔlɔ. Nǔ e nɔ ɖyɔ ɖò wezun jí é kpɛví hugǎn ɔ — e è nɔ ylɔ ɖò azɔ̌mɛ é ɖɔ ‘wow kpo flutter kpo’ é — nɔ zɔ́n bɔ è nɔ mɔ ɖɔ gbè ɔ ɖyɔ ɖò gbè ɔ mɛ. Hwɛhwɛ ɔ, è nɔ zán nǔ e è bló lɛ é dó bló nǔ kpɛví kpɛví lɛ na, bo nɔ zán hlɔnhlɔn e ɖò mɔ̌to ɔ mɛ é dó bló bɔ nǔ kpɛví kpɛví e ɖò mɔ̌to ɔ mɛ lɛ é nɔ ɖyɔ. Masse ɖaxó ɔ sín tinmɛ wɛ nyí wezun e nɔ nɔte é, amɔ̌, hwenu e è nɔ lilɛ dó jǐ kpo ɖiɖe dó dò kpo é nɔ lɛ́ ɖi ga.
FangService sín gramophone sín xɔ́ntɔn ɔ nɔ zán gan syɛnsyɛn e è xò kplé xá hǔn e nɔ hɛn nǔ lɛ ɖó jlɛ̌ jí é, bo nɔ hɛn nǔwanyido wezunkantɔ́ lɛ tɔn ɖó bǎ e mɛ tó gbɛtɔ́ tɔn lɛ ma sixu mɔ nǔ jɛ wu ǎ é mɛ. È sɔ́ amplificateur numérique 2,1-channel Japon tɔn nugbǒ ɔ dó bló na, bɔ è nɔ bló bɔ wuntun lɛ bǐ nɔ sɔgbe sín cartouche jí kaka jɛ xóɖɔtɔ́ ɔ jí ganji.
Gramophone classique égbé tɔn lɛ sɔ́ nyí nǔ e è nɔ zán ɖò macinu jí lɛ é kɛɖɛ ǎ. FangService sín linlin ɔ nɔ bló bɔ è nɔ bló CD Sanyo tɔn e nɔ ɖí xwi xá jitter é ɖé — Sanyo sín CD servo ɔ, è tuùn ɖɔ é nɔ súnsún nǔwanyido nǔxixa tɔn e vibration nɔ dɔn wá lɛ é. Hladio FM kpo xóɖɔtɔ́ Bluetooth kpo e è sɔ́ dó mɔ̌to ɔ mɛ é nɔ zɔ́n bɔ nǔ ɖokpo nɔ ɖɔ xó dó nǔ ɛnɛ jí: vinyl, CD, xóɖiɖɔ kpo xóɖɔtɔ́ kpo.
Akpáxwé amplificateur numérique ɔ nɔ zán 2,1-channel sín tuto Japon tɔn nugbǒ nugbǒ: kanlin taji wè gɔ́ nú subwoofer ɖé. É ɖò mɔ̌ có, enyi è sɔ́ jlɛ́ dó amplifier Classe A/B xóxó lɛ wu ɔ, amplifier numérique Classe D nɔ na lè ɖaxó ɖé lɛ ɖò azɔ̌wiwa linu — zozo kpɛɖé nɔ zɔ́n bɔ è nɔ ɖó chassis kpɛví ɖé, bɔ FangService sín gramophones lɛ nɔ kpéwú bo nɔ bló ɖò form facteur yetɔn e ɖò kpɔ́ é mɛ.
Teasing apart the gramophone's mechanical architecture to its essence reveals an interesting fact: the basic principle of today's top-tier vinyl systems is not fundamentally different from the 1920s — stylus vibrating in the groove, driving a magnet near coils, producing an electrical signal, amplified to drive speakers.
What has changed is precision. A 1920s cartridge might have had 5% harmonic distortion; today's moving-magnet cartridges achieve below 0.02%. This is not evolution of principle, but evolution of manufacturing accuracy. From hand-ground stylus tips to laser-measured cartridge alignment, from gravity-driven mechanical motors to closed-loop DC motors — the history of the gramophone is, at its core, a history of continuously improving manufacturing precision.
FangService's gramophone line sits at the midpoint of this evolutionary path: Victorian-era classical aesthetics on the outside, 21st-century audio engineering on the inside. Dual-speed turbine tonearm, Sanyo anti-jitter CD mechanism, Japanese 2.1-channel digital amplifier — each component represents a different era's technological height, yet all integrated into one machine. This is not a simple 'retro plus modern'拼接, but a complete answer to the question: what makes a great gramophone? View the Classical Gramophone Collection
Ðɔ nǔ e a na wà é kpo nǔ e a byɔ lɛ é kpo nú mǐ, bɔ mǐ na sɔgbe xá xósin e sɔgbe é bo na na akwɛ́ ɖé ɖò ganxixo 24 vlamɛ.
Mi mɔ Akwɛ Vɔ̌nuNine models covering the full size range from desktop mini (F08M Brass Horn 140×140×290mm) to floor-standing (C52 620×500×1900mm). Dual-speed turbine tonearm (33/45 or 33/48), Sanyo anti-jitter CD mechanism, genuine Japanese 2.1-channel digital amplifier, 5-in-1: vinyl turntable / CD / USB / FM radio / Bluetooth speaker. Multiple color options including walnut, English brown, ivory gilt, mahogany, and brown-gold. Factory price and suggested retail price are publicly listed.
Explore the Gramophone Collection →