ni June, 2019
Na stylus sa ikoya duadua ga na tiki ni dua na kalamu e dau vakayagataki vakaidina — na veigauna kece ni qito e kania. Na stylus matau e dau tu ena maliwa ni 400 kei na 800 na auwa, e vakatau ena savasava ni itukutuku kei na kena dau qito.
Na stylus sa ikoya duadua ga na tiki ni dua na kalamu e dau vakayagataki vakaidina — na veigauna kece ni qito e kania. Na stylus matau e dau tu ena maliwa ni 400 kei na 800 na auwa, e vakatau ena savasava ni itukutuku kei na kena dau qito. Ni sa daramaka na tip mai na kena ibulibuli taumada wavoki ki na dua na itukutuku vakababa, na rorogo degrades mai na matata ki na muffled, kei na itukutuku cecere-vakawasoma sa tekivu me yali.
Na kena sosomitaki e dua na stylus e sega ni ‘vakavinakataki’ — e ‘vakalesui mai’. E dua na stylus ni veisosomitaki ni ivakaraitaki vata ga e tiko kina na itovo ni acoustic vata ga kei na kena taumada. Oqo e sega ni dua na vakatorocaketaki; e dua na vakavoui. Na laini ni kalavo ni FangService e solia na styli ni veisautaki ni kabani, veiganiti sara ga kei na kato kei na tonearm.
E dua na roka ni itukutuku e lailai mai na 0.2 mm na rabailevu, ni veitiki ni kuvu ni soso e vakarautaka na 1 ki na 10 na microns — kena ibalebale ni kuvu ni soso e rawa ni vesuki ena roka ka rawata vakawasoma na kena vakacacani na stylus. Na veigauna kece ni qito e vakalevutaka na veivakacacani e vakavuna na kuvu ni soso. Oqo na vuna e dau rogo 'hissy' kina e dua na itukutuku dukadukali.
Na iwalewale dodonu ni veivakasavasavataki e sega ni rubbing ena alakaolo — e vakacacana na ilawalawa ni lubricating ena groove. Vakayagataka e dua na iwali ni vakasavasavataki ni itukutuku vakatabui ena dua na isulu ni microfiber, savata ena veidusimaki ni groove (sega ni vakavolivolita). Me baleta na itukutuku makawa talei, misini ni veivakasavasavataki ultrasonic e taqomaki vinaka cake ia e levu cake sara na kena isau. FangService itaukei ni kalavo e rawa ni veiwatini kei na dua na iyaya ni vakasavasavataki ni itukutuku.
Na bearings ni platter e gadrevi kina na veivakabulabulataki ena veigauna — sa rui levu e dreta na kuvu, sa rui lailai e vakatotolotaka na vakayagataki. E levu na karamu kilai levu era vakayagataka na polo, e gadrevi kina e dua na ilavo lailai ni专用 waiwai ena veiyabaki se rua. Na ivakaraitaki ni beleti-vakauqeti e dodonu me tiko na beleti e dikevi me baleta na qase se na kena ramusu; e dua na beleti ni sisi vakadodonu e vakavuna na sega ni dei ni totolo.
Na veivakatautauvatataki e dua tale na ka e rawarawa sara me vakawaletaki. Tonearm kaukauwa ni vakamuri, kaukauwa ni veivakacacani, azimuth ni kato — kece na tolu era gadreva na jeke vakawasoma. Na kalavo ni FangService e vakarautaki ena vanua ni buli iyaya, ia e dodonu me ra vakadeitaka tale na vakayagataka ni oti na nodra toso se vakayagataki vakabalavu.
E tolu na ka e rerevaka na kalavo: na katakata, katakata, kei na vakacaca. Na katakata cecere e vakacacana na kato kau ka vakacacana na veitiki ni kaukamea; totolo ni veisau ni katakata e vakavuna na drift ni veivakatautauvatataki; na veivakayavalati tomani tikoga — mai na sala ni waqavuka, misini ni savasava, se na vakavoui ni tabavale e ra — e vakavuna me cici na stylus ena groove.
Biuta na nomu kalavo ena dua na vanua tudei, sega ni vakararamataki, ka mamaca. Kevaka o tiko ena dua na korolevu e baravi, savata na veitiki ni kaukamea vakadua ena dua na vula ena dua na isulu malumu ka suasua vakalailai. Kevaka e sega ni vakayagataki ena dua na gauna balavu, laveta cake na tonearm — me vakacegu na stylus, ka me vakacegu talega na itukutuku.
Maintaining a gramophone is not purely an aesthetic act — it has real financial logic. A well-preserved 1920s Victor record might be worth several thousand yuan today; the same record with severe neglect might be worth tens of yuan, or nothing at all.
The cost-benefit ratio of maintenance is extraordinarily skewed on gramophones: a few hundred yuan in professional care can protect collections worth tens or hundreds of thousands. This is not 'over-maintenance'; it is insurance. The same logic applies to modern gramophones: if an 8,950 yuan flagship model cracks its wooden cabinet due to environmental humidity, repair costs could reach thousands of yuan — problems that could have been entirely avoided with proper placement at the time of purchase.
FangService gramophone users should especially value maintenance. The wooden cabinets, precision bearings, and electronic components of modern retro gramophones are as sensitive to humidity and vibration as antique gramophones. Correct usage habits — stable placement, regular cleaning, appropriate lubrication — let a new gramophone sing with the stability and durability of an old one. View the Classical Gramophone Collection
Tukuna vei keitou na nomu ituvatuva ni cakacaka kei na veika e gadrevi, ka keitou na veiganiti kei na iwali dodonu ka vakarautaka e dua na quote ena loma ni 24 na auwa.
Rawata e dua na Vosa GalalaNine models covering the full size range from desktop mini (F08M Brass Horn 140×140×290mm) to floor-standing (C52 620×500×1900mm). Dual-speed turbine tonearm (33/45 or 33/48), Sanyo anti-jitter CD mechanism, genuine Japanese 2.1-channel digital amplifier, 5-in-1: vinyl turntable / CD / USB / FM radio / Bluetooth speaker. Multiple color options including walnut, English brown, ivory gilt, mahogany, and brown-gold. Factory price and suggested retail price are publicly listed.
Explore the Gramophone Collection →